In 2004, a relatively new lesbian press, Bywater Books, has re-printed J. M. Redmann’s award-winning novel, The Intersection of Law and Desire, the third installment of the four-book Micky Knight series. The intervening ten years have neither diminished the emotional power of this book nor rendered it a literary anachronism in any way. Redmann has created a complex and multifaceted female private investigator unlike others found in this genre. At times brash, aloof, even morose, Micky Knight is a reflection of the Louisiana bayou where she was raised and the seamy underbelly of the New Orleans which provides her often distasteful livelihood. Quietly vulnerable yet ruthlessly straightforward, Micky is an intricate woman whose personal demons color her every professional action and personal interaction. Through Redmann’s carefully constructed articulation of every nuance of her main character, she has created a woman about whom the reader cannot remain ambivalent. Micky is no superhero, no Wonder Woman. What she is is a woman beset with petty foibles, exaggerated perceptions, and often sardonically cynical and contemptuous words. However, despite this seemingly callous façade, the reader discovers a worthy, valiant, and ethical woman whose perspective on life is quite simple. When told to let the law deal with an egregious adversary, Micky responds, “The law? I want justice” (p. 355). This simple statement serves as the thematic underpinning for Redmann’s story and proclaims one of the few certainties in the detective’s life.
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